EXHIBITION:
48
TORE SVENSSON
OPENING ON WEDNESDAY 26TH OF MARCH
RUNS UNTIL 12TH OF APRIL 2025


2020 was the year that most things were canceled and people had to stay where they were. Tore Svensson was in Berlin and unable to travel back to his studio in Sweden. He decided to find a new way of working, and the veneer replaced the iron, which had previously been the primary material in his work.
Throughout his long career, geometric forms have been a defining characteristic of his jewellery, and each project takes time. One project extends into the next, and a new project often emerges from an ongoing one, altering its expression and content. The series 48, exhibited at Platina, originates from a series of 100 brooches, where a square section was cut from a 60x60x1 cm iron plate. What remained was 27 square centimeters, which inspired the title and are divided into different parts, rearranged, and new signs and symbols emerge.
The principle behind the new works remains the same, but the total area is larger, 48 square centimeters, as indicated by the title. 48 is also the total number of brooches in the series.
Tore Svensson is one of Sweden’s most renowned jewellery artists. He graduated in 1978 from HDK – Academy of Design and Crafts in Gothenburg. From 1989 to 1996, he was a lecturer at the same institution and later worked as an adjunct professor for two years in the jewellery art department.
In addition to jewellery, he is also known for his forged iron bowls. His award-winning works are exhibited worldwide and are included in numerous private and public collections.
PREVIOUS EXHIBITIONS
EXHIBITION:
PINK & PUNK
KARIN ROY ANDERSSON, CAROLINE BROADHEAD, TIM CARSON, PAUL DERREZ, GERALDINE FENN, TOVE KNUTS, DANIEL KRUGER, FELIEKE VAN DER LEEST, HELENA LEHTINEN, ERIC LOUBSER, REKA LÖRINCZ, HANSEL TAI
23D OF JANUARY - 22ND OF FEBRUARY 2025
THE EXHIBITION WILL BE SHOWN IN MUNICH DURING MUNICH JEWELLERY WEEK 12-16TH OF MARCH


PINK & PUNK is an explosion of edgy interpretations, wild ideas, humorous figures, and irresistible creations. The exhibition features unexpected, bold pieces that push boundaries.
Twelve fearless artists from diverse backgrounds are invited to create and show this unique, fun and slightly mad collection, raising questions and offering answers on a variety of subjects.
Artists: Karin Roy Andersson, Caroline Broadhead, Tim Carson / Timothy Information Limited, Paul Derrez, Geraldine Fenn, Tove Knuts, Daniel Kruger, Felieke Van der Leest, Helena Lehtinen, Eric Loubser, Reka Lörincz, Hansel Tai
EXHIBITION:
WINTER LINKS
BIBA SCHUTZ, HELENA SANDSTRÖM, JULIA WALTER, NILS HINT
4th - 21st of DECEMBER 2024


We warmly welcome you to the final exhibition of the year at Platina showcasing jewelry that harmonizes with the season and rhymes with the time. The exhibition December Links weaves together moments of the past year and moments that are yet to come, artistic skills with surprising expressions and ornaments.
New York-based Biba Schutz draws inspiration from space, shadows, and nature within the urban environment. For her, walks and public transport serve as a living library.
Helena Sandström embraces surroundings in Stockholm where a misty lake can make her think about the circular nature of time. Another year has passed, annual turns add to annual turns.
Nils Hint from Tallinn is known for reforging equipment and flattening tools. Here iron knives are transformed into ornaments like curled ribbons.
Curled and swirling are also the earrings by Amsterdam based Julia Walter and above the entire shines her golden star that of course is wearable as a pendant.
THE GEMSTONE APOTHECARY
SONDRA SHERMAN
24TH OF OCTOBER - 16TH OF NOVEMBER 2024


The Gemstone Apothecary by Sondra Sherman is a series that weaves together themes of science, superstition, and the symbolic language of jewelry. The pieces in this collection prominently reference science, with chemical diagrams as a visual element. Even for those unfamiliar with chemistry, the visual cues evoke a sense of scientific rationality and objectivity.
However, beneath this scientific facade lies an exploration of the superstitions that persist in daily life, often without conscious acknowledgment—such as the familiar habit of “knocking on wood.” In recent years, there has been a cultural resurgence of interest in crystals, gemstones, and amulets, particularly within New Age practices and mainstream culture. As the psychologist Stuart Vyse notes in Believing in Magic: The Psychology of Superstition, “The absence of control over an important outcome creates anxiety. So, even when we know on a rational level that there is no magic, superstitions can be maintained by their emotional benefit.”
Sherman's inspiration for this series stems from her residency at Trier University Idar-Oberstein Campus in the summer of 2019. Immersed in the gemstone industry, which defines the city of Idar-Oberstein, Sherman sought to respond to the unique environment while continuing to explore her ongoing interest in ‘process as metaphor’ and jewelry’s psychological and social roles.
Though initially struggling to find a connection between her research and the gemstone industry, Sherman became intrigued by the healing stones sold in local tourist shops. Entire rooms were dedicated to these stones, each accompanied by 'prescriptions' for their supposed healing powers. Through conversations with local colleagues, she discovered that many in the area sincerely believed in the gemstones' abilities to heal.
It was through this lens that the healing stones became a new symbol within Sherman's work, representing the psychosocial contexts of jewelry that have long informed her artistic practice. These elements coalesced into The Gemstone Apothecary, a series where healing stones are reimagined as both objects of superstition and as conduits for emotional and psychological expression.
EXHIBITION:
SILVER LINING
THIS EXHIBITION TOOK PLACE AT STADSMUSEET IN STOCKHOLM
(Stockholm City Museum), Address: Ryssgården, Slussen
3d - 6th of October 2024


Participating artists: Anders Ljungberg, Annette Dam, David Clarke, Else Nicolai Hansen, Hanna Havdell, Hongxia Wang, Janne K. Hansen, Jorge Manilla, Kim Buck, Klara Brynge, Maria Eugenia Muñoz, Marie-Louise Kristensen, Markus Pollinger, Sarah Hurtigkarl, Sofia Björkman
Stockholm has a long tradition of silver, both as a trade commodity and, notably, as crafted objects. The combination of tradition and the exchange of goods and experiences is reflected in how silver takes shape.
SILVER LINING is an exhibition and a collaboration between PLATINA Stockholm and SPACIOUS Copenhagen and showcases silver crafts, featuring silversmiths and artisans from Stockholm, along with international colleagues who have been important in shaping what we see today. Fifteen artists within the disciplines of silversmithing and jewelry art each present their unique perspective on the history of silver and how they have developed techniques and language through the material.
Image to the left: Sara Hurtigkarl, Vision of a Spoon #2
EXHIBITION:
MOUTH TO HAND
THIS EXHIBITION TAKES PLACE AT PLATINA, Tegnergatan 4
OPEN DURING STOCKHOLM CRAFT WEEK ONLY
5th of October the rockband THE DEAD KIDS plays new releases.


Lauren Kalman and matt lambert’s practices meet through explorations of the ideal, and identity. Approaching societal constructions and unpacking and questioning them through multidisciplinary artistic practices. Taking theory and practice together, to form praxis. Connecting mouth to hand.
Lauen Kalman is an artist based in Detroit with a completed PhD. By using her own body, she investigates constructions such as the feminine and relationships to identity and self-image.
matt lambert is a non-binary, trans, multidisciplinary collaborator and co-conspirator working towards equity, inclusion, and reparation. lambert was born in Detroit and is currently a PhD candidate at Konstfack.
The Dead Kids is a rock band from Stockholm and consists of Markus Örn (Dog Days), Kalle Djurberg Malm (Dödsfest, K. Malm), Peter Erell and Lisa Ekstig.
Together, The Dead Kids create brittle melodies, drenched in emotional charge and distortion. While life goes on outside, they are on tiptoe in the rehearsal room. When you're sitting on the bus, standing in line or picking up your children, The Dead Kids create their magic. The Dead Kids' debut album "Rauschen" contains eight songs about changing things in mid-life.
DAWN
LISBON CONTEMPORARY
JEWELLERY BIENNIAL 2024
PLATINA and FOUR EXHIBITS IN THE JEWELLERY ROOM AT
MUSEUM OF PORTUGUESE DECORATIVE ARTS – FRESS, LISBON
28TH -30TH OF JUNE


In the last week of June, Lisbon will host the second Contemporary Jewellery Biennial 2024 with several exhibitions around the city, a symposium, talks and other events. The title of the event is Madrugada, inspired by a famous poem by Sophia de Melo Breyner (in English, Daybreak).
Platina Stockholm and Four Göteborg cooperates and exhibit in the Jewellery Room at Museum of Portuguese Decorative Arts - FRESS and have brought together a group of 14 artists from Sweden.
Participing Artists: Tove Knuts, Jenny Jansson, Klara Brynge, Staffan Jonsson,Tore Svensson, Kajsa Lindberg, Sanna Wallgren, Annika Petterson, Marcelo Ferreira Gustafsson, Gustaf Lindblom, Agnieszka Knap, Hanna Havdell, Sofia Björkman, Karin Roy Andersson
More info about the theme and events: https://en.jewellerybiennial.pt/
The biennial is organized by PIN (the Portuguese association for contemporary jewellery)
FLORA CURIOSA
HANNA LILJENBERG
11TH OF APRIL - 5TH OF JUNE 2024


- For me the forest is a mysterious place filled with both darkness and John Bauer magic - inhabited by plants and creatures living together in symbiosis or the brutal reality of nature. I have a strong fascination for the world of flora much like my fascination for the deep sea. It is a realm beyond my understanding, and I both fear it as yearn for it. My pieces of jewellery attempt to capture my ambiguous feelings into wearable pieces in shape of leafy growth and creepy little bugs.
As starting point I use thin steel or brass sheets that I saw in fine formations to be hammered and bent for dimension and body. These folded shapes serve as the foundation for my pieces, which I cover with hundreds of paper parts as well as dried seed cases to evoke a sense of growth and new imaginary qualities. By painting them in many layers, I aim to bring an organic depth and a touch of melancholy and magic into the pieces. (Hanna Liljenberg)
Hanna Liljenberg is based in Gothenburg, Sweden. She studied jewelry art at HDK-School of Design and Crafts in Gothenburg and Hiko Mizuno College of Jewellery in Tokyo. Since 2010, she has been a part of FOUR gallery and studio in Gothenburg.
DESTINATION BIJOU -
THE GIRL WHO MAKES SILVER SENSUOUS
We go to France to exhibit at Château Grimaldi in Cagnes-sur-Mer, France
2nd – 5th of May 2024


Destination Bijou is an event organized by the city of Cagnes-sur-Mer, curated by Isabelle Busnel, Sébastien Carré and Juan Riusech and will take place in the medieval area of Cagnes-sur-Mer.
12 international exhibitions in the 3 main museums : Château-musée Grimaldi, MdAC & Espace Solidor. 3 local artists, 6 talks, 1 movie, 2 workshops and 2 guided tours will complete the program.
It was close to here, Swedish born Vivianna Torun Bülow-Hübe moved and established her workshop. Torun has during the years inspired and been a role model for silversmiths and jewellery artists. So, for the exhibition Sofia Björkman from PLATINA has curated for the event, 6 Swedish jewellery artists who are working in silver, are invited to honor Torun and show how we have developed into independent silversmiths and jewellery artists. The title of the exhibition, "The girl who makes silver sensuous," is taken from a headline of an article in The Star Weekly Magazine from 1962, published in the book, I samtal med Torun by Ann Westin.
EXHIBITION:
COOKIE CANDY CORPUS
SÖT SMAK LEKSAK HUSTAK
HELENA JOHANSSON LINDELL
21ST OF MARCH - 6TH OF APRIL 2024


COOKIE CANDY CORPUS - Söt smak, leksak, hustak is the title of Helena Johansson Lindell's third solo exhibition at PLATINA. It sounds like all good things at the same time and that's exactly what it is. Söt smak, leksak, hustak is Swedish for sweet taste, toys and a rooftop.
Helena Johansson Lindell argues that life and art are interconnected. None of them can exist without the other. The inclusion of the word "rooftop" in the title is a hint that the roof of her new house needs to be replaced, and the income from the sale of the art thus covers this expense.
In the exhibition are things for each person, it’s a mix of jewellery and objects that can be interpreted in various ways. Colorful pieces from toys, household items, jewellery, and other everyday objects are wildly mixed. She embraces materials and methods that, from a societal perspective, are considered to have low status but are widely used in popular culture. Plastic and wood are recurring materials, and to that, textile and strings are added.
EXHIBITION:
KATACHI form + focus
MARI ISHIKAWA, FUMIKI TAGUCHI, TAKASHI KOJIMA, ITTO MISHIMA
26TH OF JANUARY - 17TH OF FEBRUARY 2024


KATACHI form + focus
"Creation is to turn an invisible “form” into a visible “form”.
The individuality of the work resides in that perspective.
Depending on the artist`s point of view, the shape created from the image will differ.
A work that has become a visible “form” has the potential to bring about the discovery of another perspective depending on the viewer.
Furthermore, by wearing the work of jewelry, it is possible to incorporate the perspective of another approach into the work.
The expression of jewelry is greatly influenced by the surrounding environment.
Please feel the presence of Japan through our work."
"Katachi" is a combination of "kata" (pattern) and "chi" (magical power) and means form, but the concept has complex meanings in the Japanese understanding of the term, revealing intricate relationships between form, function, and meaning.
EXHIBITION:
HUG A TREE
KARIN ROY ANDERSSON
7TH - 22ND OF DECEMBER 2023
EXTENDED UNTIL 18TH OF JANUARY


Snow is falling here, earlier than usual. The white blankets the dark. The title of Karin Roy Andersson's exhibition HUG A TREE can be interpreted in several ways; hugging a tree saves it and provides salvation to a lost soul but takes on an additional meaning in Swedish as it alludes to the word HUGGA, meaning cutting down.
"The forest provides recovery and perspective. Twigs, stones, cones, and the smell of pine needles. Heavy snow changes the forest's shapes, sound environment and light. Here, shy animals can be seen if one is quiet and observant, while the ones used to people simply give a quick look and continue with what they were doing.” - Karin Roy Andersson
The exhibition HUG A TREE is Karin Roy Andersson's first solo exhibition in Stockholm. Many know her from Four in Gothenburg and as an internationally established jewellery artist with exhibitions worldwide. For several years, Four and PLATINA have collaborated on both exhibitions and projects.


"When slowly assembling these pieces, slice by slice, I contemplated the frozen garden beneath a snowy coat. It is the darkest time of the year in the North now, but other forces of darkness are scattered across the globe. It is hard to imagine that the green color will once again awaken, tiny green shoots that will peek out from the soil, but this green vitality, despite its twists and turns, is truly essential." - Janna Syvänoja
Janna Syvänoja is known for her jewellery and sculptural objects made from recycled printed paper, such as newspapers, maps, catalogues, and old books. In the exhibition Green Power Plant, paper from an electric equipment catalogue is also used. The pieces she makes, are rich by their past, carrying along certain places and accidental meanings. This material also gives the pieces their individual exterior and interior decoration, their ornaments. The artist decides how the results should be but in the end the pieces take the shape of its own. When certain formed components start to follow each other and find their rhythm in the making, the miracle happens. It is a slow, meditative, and a very natural process. Beyond the language of the material, there is an additional reality, the information that refers to communication between people - messages and expressions. A piece of jewelry is worn for the same purpose.
EXHIBITION:
EVERYTHING LOOKS GOOD
CURATED BY: Elin Flognman and Kristina Skantze
PARTICIPING ARTISTS: Anna Tedestam, Anna Rikkinen, Ellinor Augustini, Elin Flognman, Kari Steihaug, Kristina Skantze, Malene Kastalje, Pauliina Turakka Purhonen, Susanne Hangaard.
5TH – 27TH OF OCTOBER 2023
The exhibition is a part of the program of Stockholm Craft Week 2023


EVERYTHING LOOKS GOOD
Everything Looks Good can be a way of ignoring the actual state of things and focus on the surface and facade. It can reflect posts on social media where life seems flawless and always from the right angle to blur out what seems imperfect. For artists, these platsforms can function as an accessible, democratic art space with the ability to reach anyone with access to a screen. The nine participating artists in the exhibition have for some time shared pictures of their works with each other where they think everything often looks good. Now they meet in a physical exhibition where the visitors will be able to come close the works and the details. Will everything look good?
The exhibition is a part in the program of Stockholm Craft Week 2023 and made with support of Swedish Arts Grants Committee, Nordic Culture Fundation, Kulturfonden för Sverige och Finland and Swedish Arts Council.

EXHIBITION:
A MOTH CLIMBED OVER HER FINGER
A COLLABORATION
ARTISTS:
LISA WALKER AND MIELLE HARVEY
7TH - 22ND OF SEPTEMBER 2023
The exhibition is extended until 27th of September
Opening hours the last days Th-Fr 11.00-16.30, Tu-We 12.00-18.00
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The two artists Lisa Walker from Wellington in New Zealand and Mielle Harvey from New York in US met in the 90s while studying jewellery at the arts academy in Munich. Since then, both have had successful practices. Now they are coming to Sweden to exhibit together at PLATINA.
For the exhibition entitled A Moth Climbed Over Her Finger, individual works will be shown, but also works they made in collaboration by sending each other material and unfinished pieces to work on. As for example, Mielle made drawings for Lisa on fabric, which she embroidered and Lisa in turn, sent to Mielle two large sewn and stuffed semi-geometric forms to paint on.
As much as the two artists styles may seem divergent, they have both throughout the years worked with some common themes and convictions, and it is exciting to see the juxtaposition of the bodies of work together. They do share a strong and abiding belief in jewellery as a form of artistic expression. It is not just adornment, but a medium for expression of ideas about life. It is art that reflects on both historical and contemporary work while also addressing themes specific to jewellery. They are questioning ideas about value and preciousness, especially as it pertains to consumer society.
360 VIRTUAL
Welcome to walk around in the exhibition. In this 360 virtual show, you can click on the pieces to have a closer look.
Double-click the moving image for full screen. To go back to this page, use the Esc button.
How to navigate around:
- Use the mouse to navigate around. (or finger in your mobile. The show works best in a computer).
- Drag to look around the space.
- When the panorama moves you can stop it by clicking.
- Use the scroll wheel to zoom in and out.
- Click on the jewellery, drawings, and books throughout the space to see more and get information.
- Enjoy!

EXHIBITION:
13TH OF APRIL - 3D OF JUNE
PEARL
ARTISTS:
Caroline Broadhead, Lin Cheung, Melanie Georgacopoulos,
Maria Militsi, Frances Wadsworth Jones, Hilde De Decker,
Manon Van Kouswijk, Reka Lörinz, Annika Pettersson, Catarina Silva

PEARL is an exhibition initially brought together by Caroline Broadhead, Lin Cheung, Melanie Georgacopoulos, Maria Militsi and Frances Wadsworth Jones, through their teaching at the Central Saint Martins BA Jewellery Design course in London.
The exhibition included works from the five artists and was shown at SEASON as a part of the London Design Festival 2022.
To the exhibition with the same title at PLATINA in Stockholm, five more artists are invited; Hilde De Decker, Manon Van Kouswijk, Reka Lörinz, Annika Pettersson and Catarina Silva.
The work of the artists spans across different fields and tackles different subject matters, yet they all share a mutual fascination with the pearl. The strength in this group is the diversity of each individuals’ ideas and approaches to a single subject matter.
Their work explores new and innovative ways of working with the pearl, how it can be re- presented, whether that is through the manipulation of the material itself, the form it might take, through referencing its place in cultural history, or, finding imaginative ways in which to reassess its position at the heart of jewellery's system of values.

15TH OF MARCH - 5TH OF APRIL
CUPIDOPTERYX, SPORT,
MY PERFECT LIFE AND
OTHER MAGIC THINGS
A GROUPEXHIBITION WITH SELECTED ARTISTS

In this exhibition we show selected works that also was shown in FRAME at the International Crafts and Design fair in Munich, during SCHMUCK and Munch Jewellery Week 2023.
NECKLACE CUPIDOPTERYX is the title of a necklace by Felieke Van der Leest, SPORT is a jewel by Lisa walker and MY PERFECT LIFE a brooch byJenny Jansson.
The picture above shows the brooch KIND OF BLACK & BLUE BIRD by Felieke Van der Leest and the picture to the side shows the necklace ALL THE FOUR LEAF CLOVERS by Jenny Jansson.
Artists:
Agnieszka Knap, Catarina Hällzon, Felieke Van der Leest, Helena Lehtinen, Jenny Jansson, Julia Walter, Hanna Liljenberg, Helena Johansson Lindell, Helena Sandström, Karin Roy Andersson, Ketli Tiitsar, Kim Buck, Liana Pattihis, Lisa Walker, Mari Ishikawa, matt lambert, Pamela Wilson och Sanna Wallgren


A 440 Hertz is also known as concert pitch and serves as a reference for tuning orchestras. In native Denmark the concert pitch is called ‘kammertonen’, and features in an idiom. To ask for the concert pitch, or ’kammertonen,’ is to plead for respectful conversation and discourse. It is to listen, to stay in tune with one another instead of privileging the polarising opinions of individuals at the expense of community and collectively.
“I’ve always worked in a breadth of media, making jewellery, hollowware, and other types of objects. In this exhibition, I’m showing a series of four tone generators, each producing concert pitch; A 440 Hertz. I see them as a natural component of the jewellery project I call ‘Kammertonen’ or ‘Tune In’ which is spotlighted here. In this case, they set the tone for the entire exhibition. Although they produce sound, I don’t envision them as musical instruments. Rather, they are creature-like, inquisitive and asking for interaction, coming alive at the hand of the spectator.”
Other work on display is jewellery which has been developed in a similar spirit: investigating and altering idioms, both those that exist in our language and in our visual culture.
Kim buck has been a goldsmith and artist based in Copenhagen since the 80s. The merit list is long with honorary assignments, exhibitions, prizes, and recognitions. Among many other things, he has been adjunct professor at HDK University in Gothenburg, visiting professor at Konstfack Univerisity of Arts, Craft and Design in Stockholm and visiting professor at Art Institute of Nanjing University. His works can be found in collections such as MAD Museum of Arts and Design in New York and Victoria and Albert Museum in London.
With support by Swedish Arts Council and Danish Arts Foundation.


STILL LIFE
Still life includes all kinds of objects, man-made or natural, a collection of different things with varying meanings that share the characteristics of having been a significant part in something. It is a celebration of material pleasures or a reminder of their ephemeral nature, an invitation to capture the moment, take time into account and to take care of the moment's brevity.
Jewellery has the unique quality of being portable and wearable and thus an extension of the pleasure. Who doesn't want to have that?
The jewellery by Pernille Mouritzen has been on many wish lists during the years. The end exhibition of the year is gift friendly in the wat that all the pieces are for sale and can be taken directly.
Pernille Mouritzen lives and works as a jewellery artist in Copenhagen.
With support by Swedish Arts Council.

BIRD FISH OR SOMEWHERE IN BETWEEN
The joint exhibition by Karin Roy Andersson and Sofia Björkman was first shown in Paris during the Biennale Émergences and Parcours Bijoux in 2020. After that at Not Quite in Fengersfors this summer 2022. From now there is a chance to see part of it at PLATINA. Works are up in the gallery between October 29 - November 15.
First there was big bang, then about 4 billion years ago life appeared on earth. About 450 million years ago fish started swimming in the oceans and then 250 million years later birds were flying in the skies. Then it took about 200 million years until a gallery for contemporary jewellery opened in Stockholm and 10 years later another one opened in Göteborg. Strangely enough the women behind these galleries, Sofia Björkman and Karin Roy Andersson, independently developed an interest in fish and birds, climate impact, social changes in the society. They both share experiences of how it is to be artists and run galleries. Was it something in the water? Was it something in the air? Or maybe it all happens somewhere in between.

STUDIO TALKS / STUDIO 5TH WALL
Artist: Beatrice Brovia, Nicolas Cheng, Karolina Hägg, Magnus Liljedahl, Anders Ljungberg, Bettina Schwalm, Sissi Westerberg, Simon Westling.
What the artists in this project have in common is that they work at Ädellab Jewellery and Corpus at Konstfack University of Arts, Crafts and Design in Stockholm, and have their artistic practice in Sweden with a range between art and crafts as well as theory with a focus on handicrafts. Besides that, their artistic practices and approaches differ, technical and materialistic, interdi-sciplinary or oriented within a craft field.
To get to know each other's practices, each participant has invited the others to their studio or workshop space to talk about arts and crafts and their artistic work. Each participant hosted a session presenting their practice, while another acted as a discussant and moderator.
On show is the work that has formed the basis of and come out of this project.
With support by Swedish Arts Council

Annika Pettersson - Digital artefacts
The project Digital artefacts, explores museum archives with new production technologies: an artistic investigation of the value and relevance of artefacts in an era of digital manufacturing. The project analyzes 3d-printing technologies as a method to revive museum archived artifacts.
The project's results can be divided into three parts. The first is a study of the history of jewelry and the story they carry . Specific pieces of jewelry from 1850 to the present at the Swedish National Museum's archives have been examined .
The second part is a practical investigation where the jewelry from the museum's archive is reinterpreted or recreated in today's context . Re-contextualizing an object can make us pause and redefine the object seen with a new set of eyes, breaking a monotonously mundane perception. The result of this part of the project is what will be presented in the exhibition.
In the third part the entire project will be available on a global scale digitally, the digital "open source" culture.
Annika Pettersson is a jewellery artist from Sweden. 2009 she graduated from Konstfack, University of Arts, Crafts and Design in Stockholm, and is currently based in Sweden and USA.
With support by Swedish Arts Council

Pierce Healy - Memory Maps Part II
The master engraver Pierce Healy, creates subversive objects and jewellery with intricate engravings and textures. He is fascinated by the capacity of jewellery to embody our stories and to facilitate storytelling, each piece is an experiment driven by curiosity; a study that informs the next piece in perpetuity and combines his obsession with the everyday, with his passion for walking, joking, singing, playing guitar, drawing and hand engraving, to create truly unique handcrafted objects and jewellery. In short, Pierce Healy conjures visual incongruities, manifested as objects and jewellery, in an attempt to make sense of the nonsense of the everyday and to question common values and what is valuable.
Pierce Healy is an artist from Dublin, Ireland. 2012 he graduated from Konstfack, University of Arts, Crafts and Design in Stockholm, Sweden and is since then based in Stockholm.
With support by Swedish Arts Council

PEACE AND PROTECTION
JULIA WALTER
5TH OF MAY - 18TH OF JUNE, 2022

- Jewellery is my medium, form and material are my language. At the moment I am in an ambivalent mood of despair and hope, trying to keep the balance.
Julia Walter works with condensed form for complex matters where intuitive drawings create her motifs. In the exhibition Peace and Protection there are shapes such as blades and birds, symbols of tools and weapons, peace, and freedom. Can a piece of jewellery combine these attributes, a golden dagger in humble wood or a childish toy-sword worn as protection?
Julia Walter is a jeweler based in the Netherlands, with European and Polynesian family roots. She studied jewellery & design of everyday objects in Portugal and Germany and graduated from the University of Applied Arts in Pforzheim, Germany in 2007. Julia has her studio in Amsterdam, where she often collaborates on projects with artists from different backgrounds. The studio is a place where she organizes social happenings with the focus on crossing disciplines between applied art and fine art, showing work of anthropologic and cultural value by makers who are occupied in the fields of visual art, jewellery, fashion, and craft.
With support by Swedish Arts Council

PAINCOR
TANEL VEENRE
1ST - 23D OF APRIL 2022

“I dedicate the black stabbed onyx heart to tears fallen.”
The last piece for the exhibition, were finished when then world was dragged into the horror of the war so close. Endless sorrow, disappointment of politics and lots of tears. Reading news is like getting the heart stabbed.
In the Estonian based artist Tanel Veenre’s exhibition Paincor there are black hearts, dark hearts, hearts filled with sadness. There are hearts that speak through archetypes rather than physicality; the heart as an image imbued with its endless representation.
“The core of this exhibition is the series of carved black hearts exhibited on wooden organ pipes. When I started with this series, the war was not here so it wasn’t about it, even if it may seem so. My father was diagnosed with fatal cancer. He has always been a great support and inspiration for my art, so this series started to grow around him. I decided to exhibit sad hearts on the organ pipes which I received from him. He is a great musician and also renovating old woodwork, this organ from a small Estonian village church is the one he didn´t finish. I have given a new life to this instrument.
In the exhibition there are also nipple-shaped jewellery that refers to the issues of freedom of body exposure and works where the two series meet with a surreal narrative figurative language as flames and lustful tongues. The exhibition Paincor by Tanel Veenre is a powerful stopover in terms of experience in both pain and sexual identity.
With support by Swedish Arts Council

DECLARATION OF SENTIMENTS
CURATED BY CO+LAB
5TH – 26TH OF MARCH 2022

The exhibition Declaration of Sentiments is curated by Co + Lab from Turkey and includs works from 20 international artists who have used jewellery as a medium.
The curators have brought together women artists within the framework of gender-based women's struggle in the art environment, artists who have not been reluctant to hard work, have continued their art practices in their own way, to have acquired high positions at art academies, to have organized international events, to start their own galleries or exhibition spaces and much more.
This exhibition is named after the Declaration of Sentiments at the Seneca Falls Congress, which was held in 1848 under the leadership of Elizabeth Cady Stanton. The Declaration was signed by 100 men and women, and this was the first organized women's rights record in history and advocacy for equal rights for women.
With support by Swedish Arts Council

In this window exhibition, we will see works by Aviva Scheiman, Karin Larsson Ryden and Ulrika Ohlèn.
2021 the crafts collective 21 gram, received the Märta Måås-Fjetterström grant to work on a project that celebrates women's craftsmanship throughout history. Behind the grant is Stockholms Hantverksförening who sold a giant carpet at a design auction in London. The money the carpet brought in laid the foundation for the grant.
The title Femmes soles - The weight of justice refers to a term that originates at a time when a woman was only allowed to practice a craft profession as a widow of a craftsman, when she was given the right to take over her husband's business and manage his craft heritage so that the workshop could survive. The inspiration for the project begins 1846 when women started being allowed to run craft business and finally got the right to vote in 1921.
21 Gram is a jewellery studio and a female crafts-collective of gold- and silversmiths situated in the heart of Stockholm. Aviva Scheiman has run the workshop and studio since 2004 and went over to form the collective together with Karin Larsson Ryden in 2018. Today they are 8. With co-labs, projects, and exhibitions, they strive to raise awareness of genuine craftsmanship and empowering women.

21 GRAM
FEMMES SOLES - THE WEIGHT OF JUSTICE
5TH – 26TH OF MARCH 2022
